The Red Hot 2016 Art Season
Last September 8th had the temperatures rising up and heat index was high on the hallowed cobblestone streets of Chelsea. And so the art season begins…
Rashid Johnson Takes Flight at Hauser & Wirth
Let’s go full throttle and let the engines roar, for this is a prelude to a major exhibition. Rashid Johnson throws down on the runway his exploration…
Whose Care Is it Anyway? Reflections on In The Power of Your Care
In the Power of Your Care, an exhibit held at the Rubin Foundation 8th floor gallery, was a celebration of health care as a human right. Works on view…
Atomic No. 47- For Your Eyes Only
With the digitized domain fast taking over the mainstream art. And the cross-media collages, montages, experiments and emerging techniques have been b…
Neu-Neue Nationalgalerie; Homage to Francois Morellet (1926-2016) at Jordan/Seydoux Gallery, Berlin
Last week I paid a visit to the Jordan/Seydoux Gallery, located on the charming Auguststraße in Berlin’s city center, to see their latest exhibition “…
Exploring The Phenomenon of Layers in The Digital Age
With artists from Asia, Australia, Europe and the USA the group exhibition LAYERED LANDSCAPES explores the phenomenon of layers in the digital age in …
Sean Scully Takes On China With Resistance and Persistence
Irish-American abstract artist and two-time nominee for the prestigious Turner Prize, Sean Scully has steadily been rising to fame in China’s booming …
Artist interview with Esmeralda Kosmatopoulos
Esmeralda Kosmatopoulos is an internationally exhibited artist whose work explores the current state of human interaction and communication within the…
Interview with Artist Samuel Jablon
Samuel Jablon is a Brooklyn-based artist. He has a solo show at the Diane Rosenstein gallery in L.A. Sept 10 – Oct 15, 2016. Read more to learn about …
Theaster Gates and Nástio Mosquito: People Have The Power
Walking in Milan on these days seems like crossing a silent and boiling desert, because of both the general absence of people and the unbearable weath…
Psycho Skyline: Cornelia Parker’s Rooftop Commission at The Met
“I think I must have one of those faces you can’t help believing.” So says Norman Bates, solicitous creepster of Hitchcock’s Psycho (1960), about midw…
Sophia Al-Maria: Black Friday at The Whitney Museum
For her first solo exhibition in the United States, Sophia Al-Maria (b. 1983) debuts a new video and installation. For nearly a decade, Al-Maria has b…
Fragmented Time at Catinca Tabacaru
In their latest group show, Catinca Tabacaru Gallery offers an intriguing, if heady, look at the large and mysterious topic of the nature of time. Wor…
Interview with Artist Karen Lederer
Karen Lederer’s discontinuous and disorienting scenes of intimate moments and domestic interiors offer visually stimulating interplays between texture…
Bosco Sodi: Cubes at Galerie EIGEN + ART (Berlin)
It starts with a simple idea: massive cubes of clay, half a meter high. Bosco Sodi’s new sculptures, cubes of fired clay stacked in high columns, on v…
Alex Paik: Interview with the Artist and Curator on his Upcoming Satellite Art Fair
Alex Paik is a Brooklyn based artist working primarily with folded and cut paper, but he is also a classically trained musician who values the art of …
VIDEOS
Let’s go full throttle and let the engines roar, for this is a prelude to a major exhibition. Rashid
Read More → For her first solo exhibition in the United States, Sophia Al-Maria (b. 1983) debuts a new video and
Read More → The title of this exhibition, Un/Provincial: Art of South Texas is predicated upon the notion that t
Read More → Martin Creed is a winner of the Turner Prize, an internationally recognized mixed-media artist, song
Read More → Multi-media artist Ariel Jackson’s video installation, “Focus,” at the Studio Museum in Harlem embra
Read More → Writing via press release and video by Jamie Martinez “How did these get here!?” I was shocked to se
Read More → I think a painter has two choices: he paints the world or himself. And I think the best painting tha
Read More → On a cool Saturday morning, bright with the smell of spring, the gallery scene in Chelsea was alread
Read More → “Let’s print out some ecstasy”. In Adam Green’s Aladdin, your most hedonistic and absurd wishes are
Read More → When you first walk into the Robert Ryman exhibit in Dia: Chelsea, it appears that all there is whit
Read More →